Digital Music

U.S. Programs Are Approaching ‘The Middle’ of Their Movement. Now What?

Christopher Schroeder, Executive Director, Boston Music Project
There are seasons in any movement. The beginning, that electric moment when a new idea catches fire, is unforgettable. So is the end, when a movement gains a permanent foothold in society. But the middle—the developing stage—is different. The middle is where the path is no longer clear, where the just cause and the strategies for seeing it through are both tested. It’s my impression that, in many places of the world, El Sistema-inspired programs find themselves in that adolescent stage.
These growing years are critical to our future as a movement—just as the adolescent years are critical to our students’ growth. Here are a few discoveries being made by U.S. programs I’m familiar with, shared with the hope that they resonate with programs around the world.
AMPLIFY Digital Music Project Launched in EU
Fourteen organizational partners from eight European countries gathered last month for the launch of the EU-funded AMPLIFY project, bringing together artists, technologists, and researchers to elevate “phygital” (physical-digital) experiences with music.

