December 2020

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Progress Made Toward Virtual Ensemble Playing

12-01-2020

We may be close to real-time virtual ensemble playing. Listen to this NPR segment on new tech from Audio Movers and Jack Trip that may make it possible for musicians to play together online. There are still glitches, especially with distances beyond a local area, but this is a hopeful update on a technological breakthrough that would benefit our work profoundly.

Grace Moore Became the Youngest Composer Performed by NY Phil

12-01-2020

Last month, Brooklyn, NY native Grace Moore became the youngest composer to have their composition performed by the New York Philharmonic. Grace is a 7th grader who recently participated in the Philharmonic’s Very Young Composers program. Grace talks about her upbringing, her passion for music, and the significance of being a young woman composer of color in this feature article from PIX11.

AMP Academy of Rare Instrument Program

12-01-2020

The Atlanta Music Project has announced a refreshing new initiative: the AMP Academy Rare Instrument Program. Virtual one-on-one lessons for instruments, including oboe, bassoon, viola, percussion, French horn, and voice, are available tuition-free to any young person in the Atlanta Metropolitan Area, regardless of their prior experience. Students admitted to the AMP Academy Rare Instrument Program will receive weekly virtual lessons with an AMP teaching artist, perform solo recitals, and even participate in masterclasses with renowned artists. Learn more here.

Black Voices in Classical Spaces

Garrett McQueen, Executive Director, TRILLOQUY

12-01-2020

When I’m asked about my experiences in classical music, I simply share my story. In sharing it, I both reaffirm for myself why I continue this type of advocacy work and relay a lived example of why that work must be done.

Article from Edutopia Walks Through Ways to Increase Student Engagement

12-01-2020

An article on Edutopia shares some practical measures for moving toward more “student-centric” framing during online learning. The article, titled “How to Choose Words That Motivate Students during Online Learning,” walks through practical scenarios and language shifts that help create an environment where students experience self-motivation, ownership, and engagement. All educators who miss their classrooms might find this useful.

Share Your Stories with Creative Generation

12-01-2020

In this current phase of the Arts & Cultural Education is a Fundamental, Civil, and Human Right campaign, Creative Generation invites you to share your story about how your work has delivered on the promise of arts and cultural education as a right for youth. Share stories, photos, videos, artworks, songs, and performances by email to info@creative-generation.org, or on social media using #RightToArtsEd!

A Compositional Celebration of the 100th Anniversary of the Women’s Suffrage Movement Launched by OrchKids

12-01-2020

The Baltimore Symphony Orchestra OrchKids program is launching a compositional celebration of the 100th anniversary of the women’s suffrage movement, called Queens Unseen: Royals Without Crowns. The composition will focus on three main areas: representation, voting, and the future of democracy. The project will also explore the “intricate and contentious element of racism throughout the suffrage movement.” For its mid-December release, the composition will be accompanied by visual images captured by Johns Hopkins University Film students.

Stay the Course, or Innovate?

Lecolion Washington, Executive Director, Community Music Center of Boston, MA

12-01-2020

We are all seeking a path forward. We are all managing COVID-19 closures. And we are doing all of this alongside an upsurge of social and political unrest. We are struggling mightily and wondering what to do next. This moment of uncertainty is like no other, and as we try to understand the future role of our work, we wonder: should we continue business as usual? Or should we innovate now, and hope that we find the right recipe for future success?

Editorial: December 2019

Christine Taylor Conda, Director of Reach*Teach*Play Ravinia; Chair, Board of Directors of El Sistema USA

12-03-2019

Right on time, after ten years of start-up and growth, Sistema programs in the U.S. are entering a new phase, in which we are ready to embark on an exploration of the “Q” word: quality—an essential building block of excellence.

Sistema as School: WHIN’s Ways of Being

Charles Ortiz, Executive Director, WHIN Music Community Charter School

12-03-2019

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

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