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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Reggae Roots at Sistema Toronto – Jane Finch

Kelsy Vivash, Marketing & Communications Manager, Sistema Toronto

06-04-2025

Working in this field has shown us how a diverse, inclusive curriculum can activate a student’s passion and sense of self. At Sistema Toronto, our goal is to have repertoires that represent our students and the communities they live in. With that in mind, Sistema Toronto invited Juno-nominated reggae artist Jah’Mila to work with students at our Jane Finch Centre this March as part of a months-long exploration of reggae music titled Reggae Roots. Our students spent January and February preparing for three days of workshops led by Jah’Mila and a culminating concert.

In Chicago, One Piece of Music Brings a City Together

Christine Taylor Conda, Executive Director of Education & Community Engagement, Ravinia Festival

06-04-2025

During the two magical years I spent in Jamaica as a child, my aunt would visit our house every Thursday evening after work. I remember our family spending dinnertime on orange pleather cushions, listening to broadcaster Leonie Forbes recite poetry on the radio as classical music played in the background. That dinner table is where I first fell in love with Beethoven’s 7th Symphony, and my family still talks about those Thursday nights we spent together.

Now, as Ravinia searches for inventive ways to reinvigorate interest in great musical works, those Thursday evenings come to mind.

Now, as Ravinia searches for inventive ways to reinvigorate interest in great musical works, those Thursday evenings come to mind.

Measuring Your Program’s Results: A Practical Framework for Insight

Graciela Briceno, Senior Education Advisor, USAID; Education Development Consultant; Music Teacher

06-04-2025

Ask any director of a music for social impact program about the program’s mission and goals, and you will receive an impassioned response about helping children, teaching music, inspiring minds, saving lives, building community, and developing social-emotional skills. There is clarity in what we all aim to achieve, built on a vision of happy students and families, beautiful music coming from every corner of a school, and meaningful stories of positively impacting children’s lives. Our vision includes accolades from school leaders or even government officials and others who are inspired by this work.

But how do we know whether we’re actually achieving these goals?

The Queen of Paradise Initiative: A Life-Changing Experience in Vanimo, Papua New Guinea

Dane Madrigal, composer, conductor, and music educator

05-07-2025

One of the most memorable experiences from my time in Vanimo was helping the students prepare music for a truly special occasion: the visit, last August, of Pope Francis. With only three weeks to prepare, the students were able to put together both a fully recorded concert for the Holy Father and a few live pieces for his visit to the IVE Fathers in Baro.

The El Sistema USA 2025 West Coast Regional Gathering

Patrick Scafidi, Executive Editor, The Ensemble

05-07-2025

At events like these, it’s easy to think about the word “community” as the people in the room. But El Sistema USA’s nifty trick was to upend that idea. Rather than celebrate our professional community—the connections we form with colleagues—the ESUSA leadership team explored the ties that bind us to larger, more diverse communities—of families, of activists, of scientists, of lawmakers, and of the folks that lawmakers tend to ignore.

Students Take Over Big Noise Raploch

05-07-2025

Big Noise Raploch recently embarked on a big experiment…by handing over their jobs to students as part of their “Big Takeover.”

Between Tradition and Innovation: Reimagining Teacher Training at NEOJIBA

José Henrique de Campos, Educational Director, NEOJIBA

05-07-2025

When trying to renew an initiative that has existed for almost a decade, our great challenge is to find that precise balance between valuing tradition and proposing something new. At NEOJIBA State Nuclei for Youth and Children’s Orchestras of Bahia, this balance is fundamental to our continuous search for improvement—praising what already works, recognizing what can be improved, and having the tranquility to suggest something innovative without losing the essence of an idea.

It was in this spirit that in 2023, on a sunny afternoon during Bahia’s “eternal summer,” we began to redesign PROCEC, our collective teacher training program.

Collaboration Across Cultures—and Genres—in São Tomé and Príncipe and Guinea-Bissau

Eduardo Lála, Conductor and Technical-Pedagogical Coordinator, The Rizoma Project

02-05-2025

When the Rizoma Project launched in 2022 in São Tomé and Príncipe and Guinea-Bissau, I knew we were embarking on an ambitious journey. Our goal was clear: to establish social orchestras in communities with limited resources and significant social challenges. 

At a Canadian Military Base, a Núcleo Answers an Overlooked Need

Tricia Tunstall, Contributing Editor, The Ensemble; Ken MacLeod, Founder, Sistema New Brunswick; and Kenn Mainville, CEO, Sistema New Brunswick

02-05-2025

“Where can we have the most impact?”

This question will resonate with many Ensemble readers, especially those who’ve thought about starting a new program or adding more sites to their program.

For the leaders of the Canadian network Sistema New Brunswick (Sistema NB), it sparked an unusual answer: “A military base!”

Two weeks, 13 concerts, 22 musicians: The Ghetto Classics All-Stars Tour Kenya

Joanna Priwieziencew, Head of Ghetto Classics Dance, Nairobi, Kenya

02-05-2025

Nairobi, Kenya, November 2024.

A small room bordering East Africa’s largest dumpsite. Heat scorches through tin roofs as dust rises from the cement floor. Inside, 20 Kenyan musicians focus on Belgian saxophonist Toine Thys: they take in his every gesture and expression, eager not to miss a note. In the drum section, Canadian drummer and pedagogue Karl Jannuska passes his drumsticks to a Kenyan musician and picks up the shakers. Together, they are about to carve the thick air with an Afro jazz beat.

They’re also about to embark on their first national tour.

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