Canada

TATI Offers Leaders Fellowship Program
TATI (Teaching Artist Training Institute) is launching its inaugural Leaders Fellowship Program, a six-month professional learning experience for leaders of community music and El Sistema-inspired programs.
Creating a Community of Belonging at OrKidstra

Rebecca Russell, Former Director of Development & Communications, Carrie Lauzon, Executive Managing Director, and Tina Fedeski, Co-founder and Artistic Managing Director, OrKidstra
When you walk down the halls of OrKidstra, you’ll hear the universal language of music around every corner. Laughter as the kids rush to the snack table during their break. And you’ll hear something distinctly Canadian: the beautiful sounds of a community composed of 62 different cultural and linguistic backgrounds. A community of belonging.
From Accommodation to Co-Creation: How Students Continue to Transform Our Approach to Adaptive Music Education

Erin Parkes, Founder/Executive Director, and Lyanne Fortin, Communications Manager, Lotus Centre for Special Music Education
When Lotus Centre for Special Music Education opened its doors in Ottawa, Canada in 2012, we thought our mission was clear: provide access to high-quality music instruction for students with exceptionalities and disabilities who were being left out of traditional lessons. What we didn’t yet realize was that our students were about to become our greatest teachers, shifting our organization from a provider of services to a learning community shaped directly by their needs and strengths.
Musician Steven Banks Launches Community Engagement Initiative
Over the 2025–26 performance season, saxophonist, composer, and educator Steven Banks will bring his new initiative, Come As You Are, to communities across the U.S. and abroad.
New Guiding Pillars Amplify Our Collective Voice

Elizabeth Moulthrop, Executive Director, El Sistema USA
Nearly two decades ago, a handful of United States programs that were inspired by El Sistema in Venezuela opened their doors. Since then, El Sistema USA® has become a network of more than 150 organizations—the largest such network in the world. Our members represent a diverse array of music programs from dozens of states, as well as international programs in adjacent countries from Canada to Haiti. Given the diversity and breadth of our network, it’s reasonable to ask: What is the common thread between these programs? And why does this collective work matter? Watching and helping this coalition grow and evolve, we have been able to isolate a few distinct qualities that unite us and affirm the power of our collective voice.
Going Wild in New Brunswick

Larry Matthews, freelance writer with a long association with the New Brunswick Youth Orchestra
The 1,500-strong audience in eastern Canada’s Moncton, New Brunswick erupted with a roar of approval.
They were applauding the Sistema New Brunswick (Sistema NB) Children’s Orchestra, 110 musicians ages 9-14. But the performance of Tchaikovsky’s Marche Slave was only the warmup.
Soon, Dan Brown walked on stage. A world-famous author of bestselling novels such as The Da Vinci Code, Brown is also a composer. In 2020, he released a new work, Wild Symphony.
EDITORIAL
The Sound of the World

Anis Barnat, Co-founder, El Sistema Greece; Managing Director, Community Arts Network (CAN)
National and international youth orchestra and choir festivals instill a collaborative mindset in their participants and provide all attendees with powerful, lasting memories. But they are time-consuming to organize, requiring logistical know-how and well-considered, family-flexible safeguarding policies for the children and young people. It’s not only tiring; it’s expensive. And program leaders know firsthand that students progress with or without these national or international festivals. So why bother? What do they offer to young people that their own programs can’t provide?
My answer, in a word: perspective.
National Seminario Ravinia: Orchestras For All

Isaac Sinnett, Senior Associate Director, Ravinia Reach Teach Play
On the evening of July 10, the Ravinia Festival’s historic Pavilion stage glowed with the combined talents of the 130 students of National Seminario Ravinia. It was the final night of the 2024 Seminario, just in its second year. Students aged 11–18 from 43 El Sistema-inspired organizations around the world—including those from 17 U.S. states, Mexico, Canada, Greece, and Sweden—had gathered for four days of intensive orchestral training and mentorship from members of the Seminario Orchestra Partner, the National Orchestral Institute + Festival (NOI+F). For many of the students, it was their first time having such an experience.
Sistema New Brunswick Announces Wild Symphony Curriculum
A new music curriculum resource will soon be on its way to orchestral programs across North America.
The Ambassadors’ Exchange: May Happenings
This month, the Ambassadors were asked to explore their daily lives in their programs. Our most recent entry explores ideas such as: 1) their daily routines outside of rehearsal; 2) what their rehearsal settings look and feel like; and 3) their relationships with their colleagues/instructors. We hope to share different slices of life from different corners of the world.

