Patrick Scafidi

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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In Navajo Nation, the Beating Heart of Community

Patrick Scafidi in conversation with Gregory Lewis, Assistant Director, Heartbeat Music Project

10-05-2022

Spanning over 27,000 square miles across parts of Utah, Arizona, and New Mexico, Navajo Nation is the largest Native American reservation in the United States. A land mass greater than ten states, it is home to over half of the Navajo Nation’s 400,000 enrolled people. This enormous population comprises countless diverse communities, each with deep artistic roots. And yet, despite this cultural richness, Navajo Nation had never been home to free, accessible youth music programs…until about six years ago.

In Belgrade, a Specific Solution to a Complex Problem

Patrick Scafidi, Executive Editor, The Ensemble, in conversation with Dijana Opačić, Program Coordinator, Music Art Project

06-01-2022

Through a collaborative “Orchestra and Choir of Hope,” children from Branko Pešić get to perform with peers from two music schools with whom MAP cooperates. But Music of Hope leaders realized the students had multiple needs—they were hungry, both emotionally and literally.

Technical Magic: 11-Year-Old Grace Moore Debuts Composition with the New York Philharmonic

Patrick Scafidi, Executive Editor of The Ensemble News

01-06-2021

On October 9, 2020, Brooklyn 7th-grader Grace Moore stood in front of an audience of New Yorkers. At 11 years of age, she was debuting her first composition, “Summer.” Grace is a participant in the Very Young Composers (VYC) program, a now-international program initiated by the New York Philharmonic over two decades ago. In the VYC, students are empowered to compose and notate their own original works while guided and supported by Philharmonic Teaching Artists. In this alone, the VYC already echoes the spirit of El Sistema, but that is not what made Grace’s debut remarkable. It was momentous because her work was performed, in its debut, by musicians in the New York Philharmonic. This is the standout element of the Very Young Composers program: young participants get to see and hear their work performed by Philharmonic musicians—and sometimes, the full orchestra.

An Interview with Dream Orchestra Founder/Director Ron Davis Álvarez

Interviewed by Patrick Scafidi, Executive Editor of The Ensemble News

01-06-2021

Last month, the Royal Swedish Academy of Music recognized Dream Orchestra Director (and El Sistema Sweden Artistic Director) Ron Davis Álvarez with the Göran Lagervall Pedagogy Prize for “his activities in 40 cultural schools, where he renewed the pedagogical orchestral tradition with his experience from Venezuela.” Just days later, Álvarez conducted a performance for the Global Teacher Prize Award Gala, hosted digitally this year. A former candidate for the Global Teacher Prize himself, Álvarez conducted 70 students from ten countries in a performance of Sara Bareilles’ song “Brave.” Afterward, Álvarez was kind enough to sit down with The World Ensemble to discuss his busy week, his experiences with the Dream Orchestra, and his pedagogical philosophy.

“No Matter What, We’re Going to Do a Camp”: Side by Side Goes Digital

Patrick Scafidi, Managing Editor of The Ensemble Newsletters, in conversation with Terese Mörtvik, Communicator, Side by Side, Sweden

06-01-2020

When El Sistema Sweden and the Gothenburg Symphony Orchestra (GSO) began accepting applications for the annual Side by Side by El Sistema international youth music and choir camp, taking place from June 13–16 this year, the coronavirus pandemic had yet to stop the world in its tracks. Applications poured in that first day—roughly 1,000 of them, despite the website shutting down for a few hours due to server issues. That number doubled shortly thereafter as applications continued to pour in from across the world.

The 2020 El Sistema USA Symposium & Seminario

Patrick Scafidi, Managing Editor, The Ensemble and The World Ensemble Newsletters

03-03-2020

Long before I joined The Ensemble newsletters editorial team a few months ago, I knew about El Sistema. I had read about it, listened to interviews, spoken with people inside the movement. But I hadn’t lived it—had barely seen it up close. I grew up playing jazz and orchestral pieces, but my professional background is as an editor, not a music educator. So I arrived in Durham for the 2020 El Sistema USA Symposium and Seminario expecting to listen to a language I barely understood.

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