


artículo destacado
A Papua New Guinea Orchestra Program Heads to Indonesia
Los editores del conjunto
Music possesses the power to transcend borders and unite hearts. That’s why, last month, a hundred children in Vanimo, Papua New Guinea packed their instruments to bring their music to Jayapura, Indonesia. It was a historic milestone: the first international tour for the students in the Queen of Paradise Project, launched seven years ago by Music Director Jesus Briceno with the support of Father Miguel de la Calle. Father Martin Prado is now the CEO of the project.
Editorial
EDITORIAL
To Conduct, We Must First Breathe
Ron Davis Alvarez, Founder, Dream Orchestra

I have traveled and taught in nearly 45 countries: at an orphanage in Greenland, in refugee camps, and alongside migrants and refugees who escaped war. I learned to teach when words were not enough, and to build community through music. Somewhere along the way, I forgot something essential: to support others, we also need support.
EDITORIAL
EDITORIAL
When an Instrument Case Means ‘Don’t Shoot’: Symbolic Recognition in Medellín
Nathaly Ossa Alzate, strategic arts management and social impact consultant

In Nancy Fraser’s framework, social justice requires both redistribution (economic resources) and recognition (cultural and symbolic status). Symbolic recognition is the validation of one’s identity, dignity, and self-worth within a broader socio-cultural context. And in 1990s Medellín—our time—young people faced material deprivation and severe symbolic misrecognition, viewed solely through the lens of urban violence, stigma, and invisibility.


