


artículo destacado
Returning to Our Musical Roots: Ravinia Jazz Scholars in Clarksdale, Mississippi
Alexandra Rodriguez, Director of Performance Programs, Ravinia Reach Teach Play
Something special happens when young musicians are invited to trace the roots of their art form to its source. This October, a group of high school students from Ravinia’s Reach Teach Play education initiatives had the rare opportunity to do just that through a cultural exchange of jazz and blues music in Clarksdale, Mississippi.
Editorial
EDITORIAL
To Conduct, We Must First Breathe
Ron Davis Alvarez, Founder, Dream Orchestra

I have traveled and taught in nearly 45 countries: at an orphanage in Greenland, in refugee camps, and alongside migrants and refugees who escaped war. I learned to teach when words were not enough, and to build community through music. Somewhere along the way, I forgot something essential: to support others, we also need support.
EDITORIAL
EDITORIAL
When an Instrument Case Means ‘Don’t Shoot’: Symbolic Recognition in Medellín
Nathaly Ossa Alzate, strategic arts management and social impact consultant

In Nancy Fraser’s framework, social justice requires both redistribution (economic resources) and recognition (cultural and symbolic status). Symbolic recognition is the validation of one’s identity, dignity, and self-worth within a broader socio-cultural context. And in 1990s Medellín—our time—young people faced material deprivation and severe symbolic misrecognition, viewed solely through the lens of urban violence, stigma, and invisibility.


