Orchestra

Big Noise and YOLA Share the Stage in Edinburgh

Vicky Williams, CEO, Big Noise / Sistema Scotland
After months of work behind the scenes and four days together in Dundee, Scotland, a 95-musician orchestra made up of Big Noise and YOLA musicians—plus 100 younger Big Noise members forming a choir—came together on stage at Edinburgh’s Usher Hall for the Festival’s Family Concert on August 16, 2026.
It was a beautiful moment. But even before they ever shared the stage, the young musicians from Scotland and Los Angeles had achieved something remarkable.
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Here’s an idea you’ve never considered.
EDITORIAL
A Question We Could Not Answer
Faly Ranaivoson, Founder, Choir Orchestra Loharano (COL)
One of our longest-standing members asked a question at a meeting this year that I still cannot answer well. He had rehearsed four or five pieces for our concert last December. On the afternoon itself, he participated in playing only one of them. He wanted to know how that had come about. He put his question to everyone in the room.
U.S. Programs Are Approaching ‘The Middle’ of Their Movement. Now What?

Christopher Schroeder, Executive Director, Boston Music Project
There are seasons in any movement. The beginning, that electric moment when a new idea catches fire, is unforgettable. So is the end, when a movement gains a permanent foothold in society. But the middle—the developing stage—is different. The middle is where the path is no longer clear, where the just cause and the strategies for seeing it through are both tested. It’s my impression that, in many places of the world, El Sistema-inspired programs find themselves in that adolescent stage.
These growing years are critical to our future as a movement—just as the adolescent years are critical to our students’ growth. Here are a few discoveries being made by U.S. programs I’m familiar with, shared with the hope that they resonate with programs around the world.
Creating a Community of Belonging at OrKidstra

Rebecca Russell, Former Director of Development & Communications, Carrie Lauzon, Executive Managing Director, and Tina Fedeski, Co-founder and Artistic Managing Director, OrKidstra
When you walk down the halls of OrKidstra, you’ll hear the universal language of music around every corner. Laughter as the kids rush to the snack table during their break. And you’ll hear something distinctly Canadian: the beautiful sounds of a community composed of 62 different cultural and linguistic backgrounds. A community of belonging.
Vote Sweden’s Dream Orchestra Founder as ‘Hero of the Year’
CNN is giving us a major opportunity to showcase our field on the global stage.
Out of Our Comfort Zones: Inviting communities to teach us how to serve them well
Alonzo Chadwick, CEO, Bravo Youth Orchestras
What makes a community beautiful is the diversity and the village mentality established before we arrive. We can’t serve a student and not have connections with their family. And we can’t have relationships with a family and not have connections with the village and community they love.

