Cultural Exchange

The European Network for Opera, Music and Dance Education (RESEO) will host a free webinar on November 17 with specific guidance for arts education organizations looking to apply to major European funding programs.

The majority of the population is in Portland, at the northern border, with most everybody else residing along the “I5 Corridor”—Interstate 5, a major north-south highway that runs from Portland to California. BRAVO serves a region at the very northern tip of Portland; JOY serves students in Yamhill County. North Portland is a diverse blue-collar area with shipyards, warehouses, and port terminals; Yamhill County is the heart of Oregon’s famed Willamette Valley, a region known best for its fabulous wineries. But while the county boasts fancy vineyards and tasting rooms, it is also filled with farms and the hardworking farmhands and families.

Just 46 miles apart, our landscapes could not be more different. And yet the work we do could not be more aligned.

In the heart of Chilean Patagonia, the strings of a violin resonate deep within the temperate forest. Birds sing in harmony with the refined sounds of bows gliding over the strings; leaves whisper centuries-old stories. The Huilo Huilo Biological Reserve, where endangered species are protected, also embraces a group of young musicians—along with their mentors, who are string principals in the Brussels Philharmonic—during daily rehearsals and performances. It’s an inspiring fusion of human artistry and Patagonian majesty.

Unlike more privileged settings, we could not make the switch to online teaching; we did try it, but most of our children did not have their own phones, and there were other issues, such as out of tune instruments, strings broken, and instruments outgrown. When the lockdown eventually lifted, many of our children had moved out of area or progressed to higher mainstream education which took them away from music lessons, either geographically or in terms of available time. We have had to start over, with new groups of children for violin and cello.

But there is also good news to balance things out.

As Executive Director Liz Moulthrop remarked during El Sistema USA’s East Coast Regional Gathering, “Community is our power.” Yet too often programs operate in isolation, brilliant islands of musical striving that rarely connect with the broader archipelago of creative youth development work happening across the world. This siloing, while understandable given resource constraints and logistical challenges, represents a missed opportunity to address our urgent need for unity.

In fact, we must double down on gathering. The practice of community.

Arts and cultural organizations in Sub-Saharan Africa interested in partnering with European artists and cultural professionals are encouraged to apply for EUNIC’s Spaces of Culture program.

One of the most memorable experiences from my time in Vanimo was helping the students prepare music for a truly special occasion: the visit, last August, of Pope Francis. With only three weeks to prepare, the students were able to put together both a fully recorded concert for the Holy Father and a few live pieces for his visit to the IVE Fathers in Baro.

Few would disagree that imagining and constructing something good for humanity, in a place where vast harm has been done, is a creative act. Therefore, the completion of The Ensemble House in Srebrenica, Bosnia and Herzegovina can be seen as one of the world’s great creative triumphs in recent years.

Sirkhane Social Circus is more than just a place to learn circus skills—it is a sanctuary of joy, healing, and creative expression for children who have endured the trauma of war, displacement, and social instability. Based in Mardin, Turkey, near the Syrian border, Sirkhane provides a safe and nurturing environment where children from diverse backgrounds—Syrian, Turkish, Iraqi, and Kurdish—come together to learn, perform, and play.