Cultural Exchange

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Violin Included: Reflections on Leadership, Giving, and Growing Up in This Field

Elizabeth Moulthrop, Executive Director, El Sistema USA

03-04-2026

Last week, I found myself in Union City, New Jersey, USA, sitting in a sea of students, violin in hand, playing “Swan Lake” alongside kids, teachers, and my longtime colleague Melina Garcia. I hadn’t come to visit Melina and her program, the United Children’s Music Project simply for the joy of playing with young people; I was there to deliver a donation. I had just closed a similar program in Pisco, Peru—Notes for Change, Inc.—that I founded 15 years ago, and my donation for UCMP consisted of the final funds from that program. I had expected this to be a bittersweet moment; instead, it felt like a full-circle one. But more about that later.

U.S.-Venezuela Relations Impact Music Exchange Programs

 

 

03-04-2026

Musical exchange programs between the U.S. and Venezuela have recently hit an impasse with new travel restrictions between the two countries.

Africa-Europe Cultural Exchange Grants

11-05-2025

The Goethe Institut, in partnership with Expertise France and Institut Français, invites proposals for two different grants supporting artistic and cultural exchange projects between African and European artists.

Chiquinha Gonzaga Orchestra: Building a Culture of Peace Through Music

Diogo Pereira, Executive Director, Harmony Project Phoenix; Consultant, Instituto Brasileiro de Música e Educação (IBME)

11-05-2025

The Brazilian Institute of Music and Education (IBME – Instituto Brasileiro de Música e Educação) was launched in 2011 with just 15 students. Today, it serves more than 4,000 young people and continues to grow. Among its many talented ensembles, one stands out: the Orquestra Sinfônica Juvenil Chiquinha Gonzaga, an all-female youth orchestra that celebrates the intersection of Brazilian classical and popular music.

RESEO Offers Free Fundraising Webinar

11-05-2025

The European Network for Opera, Music and Dance Education (RESEO) will host a free webinar on November 17 with specific guidance for arts education organizations looking to apply to major European funding programs.

Asian Cultural Council Grants

11-05-2025

Applications are now open through November 19 for the Asian Cultural Council’s 2026 Fellowships and Grants, supporting cultural exchange activities for arts professionals and organizations in Asia and the United States.

In Oregon, a More Neighborly Approach Brings Joy

Neal Spinler, Executive Director, BRAVO Youth Orchestras

09-03-2025

The majority of the population is in Portland, at the northern border, with most everybody else residing along the “I5 Corridor”—Interstate 5, a major north-south highway that runs from Portland to California. BRAVO serves a region at the very northern tip of Portland; JOY serves students in Yamhill County. North Portland is a diverse blue-collar area with shipyards, warehouses, and port terminals; Yamhill County is the heart of Oregon’s famed Willamette Valley, a region known best for its fabulous wineries. But while the county boasts fancy vineyards and tasting rooms, it is also filled with farms and the hardworking farmhands and families.

Just 46 miles apart, our landscapes could not be more different. And yet the work we do could not be more aligned.

Patagonia’s Huilo Huilo Festival Blends Musical Excellence with Social Impact

Barbara Domingos, Artistic Producer, São Paulo State Symphony Orchestra (OSESP); Artistic Operations Manager, Huilo Huilo Music Festival; 2022 cohort member, Global Leaders Institute

07-09-2025

In the heart of Chilean Patagonia, the strings of a violin resonate deep within the temperate forest. Birds sing in harmony with the refined sounds of bows gliding over the strings; leaves whisper centuries-old stories. The Huilo Huilo Biological Reserve, where endangered species are protected, also embraces a group of young musicians—along with their mentors, who are string principals in the Brussels Philharmonic—during daily rehearsals and performances. It’s an inspiring fusion of human artistry and Patagonian majesty.

Child’s Play India’s Glass is Half-Full, Half-Empty

Dr. Luis Dias, Founder/Director, Child’s Play India Foundation in Goa, India

07-09-2025

Unlike more privileged settings, we could not make the switch to online teaching; we did try it, but most of our children did not have their own phones, and there were other issues, such as out of tune instruments, strings broken, and instruments outgrown. When the lockdown eventually lifted, many of our children had moved out of area or progressed to higher mainstream education which took them away from music lessons, either geographically or in terms of available time. We have had to start over, with new groups of children for violin and cello.

But there is also good news to balance things out.

EDITORIAL
Rehearsing Community for a Better Tomorrow

Gabrielle Molina, Executive Director, Project Music; Lead Program Consultant, El Sistema USA

07-09-2025

As Executive Director Liz Moulthrop remarked during El Sistema USA’s East Coast Regional Gathering, “Community is our power.” Yet too often programs operate in isolation, brilliant islands of musical striving that rarely connect with the broader archipelago of creative youth development work happening across the world. This siloing, while understandable given resource constraints and logistical challenges, represents a missed opportunity to address our urgent need for unity.

In fact, we must double down on gathering. The practice of community.

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