April 2024

It was not a promising time to be learning or teaching music in Lebanon. The Lebanese pound had depreciated by over 90%, making music lessons a luxury that few could afford. The National Conservatory of Music was mostly non-operational; schools had stopped music classes for lack of funding, and our country’s youth had no means to advance their musical education. In this challenging environment, Father Maatouk turned to the El Sistema model.

When people see children with disabilities actively participating in musical activities, their attitudes can shift drastically. This mental shift is incredibly beneficial for these children, who thrive when they are supported by individuals who believe in their capabilities. In this way, music programs are a connector, educating both children with disabilities and those around them, who learn to celebrate their potential.

Can bringing young people from different cultures together, through arts-related experiences, help to promote understanding, communication, and peace building?

This is a question on the minds of many people working in the global field of arts for social change. Over the past few years, my program, The House of Good Tones in Srebrenica, Bosnia and Herzegovina, has partnered with two other Balkan programs (SO-DO, in Zagreb, Croatia, and the Music Art Project, in Belgrade, Serbia) on a research project designed to explore this question—a particularly important question in our part of the world.

It’s easy for us, as teaching artists, to believe that all humans can access creativity. As the leader of ArtistYear and a practicing teaching artist myself, I understand the inclination. Any notion suggesting otherwise seems to challenge fundamental beliefs about our purpose—if there are people who can’t access creativity, then a place exists where teaching artistry is rendered ineffective. With this line of thinking, however, some nuance in the conversation is lost.

In mainstream media, youth voices are widely absent, overlooked, or sensationalized. Youth on Record (YOR) aims to address this gap through our creative youth programming, including its Podcasting Production Internship. The program seeks to foster a supportive environment where young people explore creative storytelling and produce podcasts that amplify their voices and ideas.