Youth Empowerment

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Along Italian Coast, a Climate-Conscious Program Turns “Rubbish Into Music”

Chiara Galli, Managing Director, and Stefano Murciano, Communications Manager, LiberaMusica

11-05-2025

In the city where LiberaMusica operates—Pesaro, Italy, right on the Mediterranean coast—the connection with nature is strong and part of everyday life. From the Apennine Mountains to the coastline, children grow up surrounded by an environment that is rich, fragile, and, today more than ever, in need of protection. In recent years, our region has been marked by extreme events: floods, droughts, and changing seasons are reshaping our landscape. Schools and associations have been working hard to raise ecological awareness, and LiberaMusica wanted to contribute by doing what we know best: making music.

Chiquinha Gonzaga Orchestra: Building a Culture of Peace Through Music

Diogo Pereira, Executive Director, Harmony Project Phoenix; Consultant, Instituto Brasileiro de Música e Educação (IBME)

11-05-2025

The Brazilian Institute of Music and Education (IBME – Instituto Brasileiro de Música e Educação) was launched in 2011 with just 15 students. Today, it serves more than 4,000 young people and continues to grow. Among its many talented ensembles, one stands out: the Orquestra Sinfônica Juvenil Chiquinha Gonzaga, an all-female youth orchestra that celebrates the intersection of Brazilian classical and popular music.

Sistema Cyprus Awarded Pompidou Group Prevention Prize

11-05-2025

EDITORIAL
Stronger Together: An Enduring Leitmotif

Christine Rhomberg, Director of Music for Social Change at the Hilti Foundation, 2013-2025

10-01-2025

More than 12 years ago, during my first visit to the then-fledgling Sinfonía por el Perú program, I met a boy—let’s call him Juan—who stood out from the crowd of children. Not only because his double bass was more than twice his size. It was also his charisma, the joyful enthusiasm with which he played his giant instrument, and, even then, his social skills and his attentive devotion to his fellow musicians at his núcleo in the La Victoria district of Lima, Peru.

In the Democratic Republic of Congo, Music Moves Us Forward

Rene Byamungu, Workshop Leader in Musicians Without Borders’ partner program Kivu Youth Music, as told to The Ensemble

07-09-2025

In the North Kivu Province of the Democratic Republic of Congo (DRC), the capital city of Goma sits between several mining towns and valuable minerals. Part of an active volcanic region rich in resources, the city serves as an essential transport hub for the nation—and, more importantly, as home to nearly 2 million people, many of whom have been displaced.

This past year, those 2 million have lived through extraordinarily difficult circumstances as the rebel group known as M23—the March 23 Movement—took control of the city. But perhaps none are more affected than the children. Over 2,000 schools in the region have been closed, with many thousands of students displaced and forced to witness the horrors of war, including the deaths of loved ones. As the fighting continues, these young people have been increasingly isolated and ignored, left without opportunities to connect with one another, explore their feelings, and celebrate joy.

And yet, as Workshop Leader Rene Byamungu writes, joy has persisted in North Kivu through music:

Patagonia’s Huilo Huilo Festival Blends Musical Excellence with Social Impact

Barbara Domingos, Artistic Producer, São Paulo State Symphony Orchestra (OSESP); Artistic Operations Manager, Huilo Huilo Music Festival; 2022 cohort member, Global Leaders Institute

07-09-2025

In the heart of Chilean Patagonia, the strings of a violin resonate deep within the temperate forest. Birds sing in harmony with the refined sounds of bows gliding over the strings; leaves whisper centuries-old stories. The Huilo Huilo Biological Reserve, where endangered species are protected, also embraces a group of young musicians—along with their mentors, who are string principals in the Brussels Philharmonic—during daily rehearsals and performances. It’s an inspiring fusion of human artistry and Patagonian majesty.

EDITORIAL
Rehearsing Community for a Better Tomorrow

Gabrielle Molina, Executive Director, Project Music; Lead Program Consultant, El Sistema USA

07-09-2025

As Executive Director Liz Moulthrop remarked during El Sistema USA’s East Coast Regional Gathering, “Community is our power.” Yet too often programs operate in isolation, brilliant islands of musical striving that rarely connect with the broader archipelago of creative youth development work happening across the world. This siloing, while understandable given resource constraints and logistical challenges, represents a missed opportunity to address our urgent need for unity.

In fact, we must double down on gathering. The practice of community.

EDITORIAL
Navigating Constraint with Dignity: Lessons from Kinshasa’s “Positive Fatalism”

Lukas Pairon, Professor and Founder of Chair Jonet, University of Ghent, Belgium; Founder of the scholarly network SIMM; Founder of the Music Fund philanthropy; Co-founder of the contemporary music ensemble Ictus.

06-04-2025

What can we learn from people who live in one of the most constrained urban environments in the world—and still find ways to make life possible?

The Arts of Dream Begin with Children’s Dreams

Kim Kibun, actor and arts educator

06-04-2025

In both Korean and English, the word dream carries layered meanings. It can refer, first, to the images and sensations we experience during sleep; second, to the hopes and ideals we wish to realize; and third, to a fleeting illusion or unrealistic fantasy.

When I was designing the framework for the Theater of Dreams last year, I leaned into the second meaning—the kind of dream filled with high ideals.

Agents of Change

Loukia Lazarou, Teaching Artist and Project Manager, Sistema Cyprus

05-07-2025

The idea of hosting volunteers had two purposes: one, the additional staff would be an immense help for our organization, and two, they would provide relatable young role models for our students—especially important for those from vulnerable backgrounds. We wanted to create a structure that nurtures leadership, social responsibility, and cultural exchange, both for the young people in our orchestra and for the volunteers.

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