Patrick Scafidi

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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News & Resources

ITAC Introduces the Knowledge Sharing and Digital Learning Project

09-16-2020

The ITAC Collaborative goes all year round, extending the work of the ITAC Conferences. Earlier this year the ITAC Collaborative invited (and financially supported) six Innovators to lead projects designed to add tools, share resources, and build connections supporting the global teaching artist field. Creative Generation was selected to produce the “Knowledge Sharing and Digital Learning Project,” which addresses the gap in research and resources produced by and for the field of teaching artistry. The project will engage volunteers in the field from a cross-section of countries to collect, validate, and disseminate tools, resources, and creative/scholarly research in several capacities. As part of this project, an international Advisory Committee has been assembled from practitioners who applied from around the world. Find out more about the project and its international team of teaching artist advisors here.

ITAC5 Is Live Right Now, Hosted by Korea Arts & Culture Education Service

09-15-2020

The Fifth International Teaching Artist Conference is happening as this issue goes out—there are still some remaining sessions you can attend free via livestream. Check the website of the ITAC Collaborative to register for the livestream, see the schedule, and view already-archived speeches and sessions from the largest-ever gathering of artists who work in communities and schools.

(Re)Setting the Stage Announces Eight New Sessions

09-15-2020

The Global Leaders Program, The Spanish Association of Symphony Orchestras (AEOS), Classical:NEXT, and Banco de la República (Colombia) have announced a second season of their industry panel series (Re)Setting the Stage. Taking place from September 24 – December 17, Season II will feature eight conversations with arts leaders and those on the front lines of our sector, focusing on a wide variety of topics designed to help participants adapt to the evolving landscape of performing arts. Among the many themes are “Digital Divide & Cultural Inclusion: Connectivity & Accessibility after COVID-19,” “On Stage to On Demand: Growing Audiences into Communities,” and “On the Brink!: Public Funding & the Recovery of Cultural Institutions.” Registration is free and simple; sign up here and join these ongoing conversations with thought leaders in our field.

Tool Kit for Rethinking Funding Strategies

07-07-2020

If your program is rethinking its fundraising strategies in this new economic landscape, you may want to consult the experts: The Chronicle of Philanthropy (the major publication for the field) recently published a Tool Kit for fundraising during the pandemic.

“Beyond the Board Statement,” an Article from Nonprofit Quarterly

07-07-2020

Many music for social change organizations want to respond to racial justice demands in every way they can, and engaging their Boards is a common strategy. A good, free, two-part webinar series from Nonprofit Quarterly shares effective ways to involve your Board: “Beyond the Board Statement: How Can Boards Join the Movement for Racial Justice?” See Part 1 here and Part 2 here.

Cultural Equity Learning Center

07-07-2020

The Cultural Equity Learning Community (CELC) is open to arts leaders committed to building racial equity and justice in the arts. Geared toward white-identifying arts leaders and/or those working in predominately white institutions, the two-unit online course offers a go-at-your-own pace learning path with complementary wraparound learning supports. The course seeks to reduce harm toward BIPOC leaders in the arts and culture sector, increase skill sets and accountability of white arts sector leaders, examine what it means to build anti-racist co-conspiratorship, and more.

Decolonizing the Music Room

07-07-2020

Decolonizing the Music Room is a non-profit organization aiming to use research, training, and discourse to help music educators center the voices and experiences of Black, Brown, and Indigenous people to challenge European and White American practices. Resources include suggested reading, podcasts, firsthand accounts from other music educators, video blogs, and more. Join this ongoing process of learning, reflection, and growth.

National Youth Network Meeting

07-07-2020

The National Guild for Community Arts Education has created a National Youth Network (NYN) Meeting as part of the Creative Youth Development (CYD) movement. Youth practitioners, teaching artists, and culture workers age 13–24 are encouraged to attend this weekly virtual gathering and connect, share, and express themselves creatively. Meetings take place every Friday from 7–8:30 p.m. EDT; for more information, please contact Paula Ortega (youth leader) or Ashley Hare (adult accomplice).

MYCincinnati Publishes Open Letter

07-07-2020

In an open letter to its community, Price Hill Will/MYCincinnati recognizes that “everything about an organization’s practices, beliefs, culture, structure, and programs either contributes to racial equity or opposes it.” They present a detailed overview of their equity statements, programs and initiatives, hiring and compensation practices, trainings, fundraising, and more, inviting feedback. Also, their annual Price Hill Creative Community Festival (July 20–25) has announced the festival’s transition to online along with the three Artists-in-Residence. Learn more here.

The Lewis Prize Recipients of COVID-19 Community Response Funds Announced

07-07-2020

The Lewis Prize for Music announced the recipients of its $1.25 million COVID-19 Community Response Fund, awarded to 32 Creative Youth Development (CYD) organizations across the U.S. (including three El Sistema organizations) that have adapted and responded to serve the needs of young people and their families during the pandemic. One-third of recipients have budgets of less than $100,000 per year; two-thirds are led by people of color. Read an article about the Fund in the July World Ensemble.

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