Teaching & Learning

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
The Ensemble Newsletter

Regions

Africa

Asia/Oceania

Europe

Latin America

North America

Topics

Teaching & Learning

Program Design

Student Voice & Leadership

Community Building

Collaborations

Funding & Support

Perspectives & Collective Action

News & Resources

Reflections on Our Shared Lineage

Mark Churchill, Founder, El Sistema USA; Dean Emeritus, Preparatory and Continuing Education, New England Conservatory

06-01-2021

In October of 2008, sitting alongside Maestro José Antonio Abreu, I experienced a moment of clarity. We were visiting the state of Trujillo in the far-northwest corner of Venezuela, where the state’s six major núcleos had formed a special orchestra to put on a command performance for the Maestro. A group 200 strong, all between 10–25 years old. A breathtaking interpretation of the first movement of Mahler’s First Symphony ensued, the type of concert I had experienced so many times with awe. But then Maestro Abreu addressed the orchestra. He set out his vision for each of their lives, full of contribution, artistry, and joy. At one point he asked, “Who of you wants to be a teacher?” Every hand shot up; every face was shining. My first thought was: “What a beautiful tribute to the community of educators nurturing these young people.” I came away with the profound understanding that teaching was at the core of it all.

YouTube Star Reimagines Music Theory Lessons

06-01-2021

It is possible! YouTube star Adam Neely has made music theory fun, entertaining, even fascinating.

SEL Activities for Adults and Students

05-19-2021

The organization Learners Edge partners with universities to offer online professional development and continuing education graduate credit courses for teachers. Though their university partners are all in the U.S., they also offer many resources for educators and teaching artists worldwide to use in their work.

In Toronto, a Student-Driven Social Curriculum Inspires New Learning

Alex McLeod, Academic Manager and Parkdale Centre Director, Sistema Toronto

04-06-2021

When Toronto’s schools closed in March 2020, we knew we were in for a challenging spring of adapting to the technological and musical challenges of remote learning. We also knew that students would be struggling with feelings of isolation, anxiety, and boredom, and it would be vitally important for us to offer help with these emotional and social challenges. Luckily, we were somewhat prepared for the transition, thanks to our Social Curriculum activities. These activities had the potential to be a key support for our students and staff—as long as we could figure out an effective, accessible way to adapt them to the online format.

TAKE ACTION: Sign the 10/20/30 Pledge

04-06-2021

We urge readers to look at and sign the 10/20/30 Pledge for racial equity, diversity, and inclusion in the performing arts. Recognizing the urgency of this moment, APAP (Association of Performing Arts Professionals) invites organizations and individuals to join this field-wide commitment to repair systemic inequities within the arts.

Digital Promise Publishes Inclusive Innovation Report

04-06-2021

In December 2020, Digital Promise (an organization supporting innovation in education) convened more than 900 teachers, district leaders, charter leaders, researchers, and Black, Brown, and Indigenous organization leaders to reimagine the recruitment and retention of teachers of color.

“I Can and I Will”: Making Beautiful Music at Open Air School

Maxine Matthews, Project Manager, Durban Music School

03-03-2021

The Open Air School in Durban, South Africa is a long-standing institution offering education to learners who have physical impairments, from pre-primary through grade 12. Their motto, “I can and I will,” is how I have come to know each child I meet at the school. Nothing is beyond their reach or capability.

NYC Composition Program Offers Mentorship from Professionally Trained Composers

03-02-2021

Opportunity Music Project in New York City has announced the launch of their new Composition Program.

Arts and Disabilities: Service-Learning in Trinidad and Tobago

Caitlyn Kamminga, Associate Professor Music (double bass), University of Trinidad and Tobago, Academy for the Performing Arts; Global Leaders Program alumna

02-03-2021

The first service-learning course I taught at the University of Trinidad and Tobago (UTT) Academy for the Performing Arts (APA) was a Residency in Community Arts. I chose to partner with the Consortium of Disabilities Organization (CODO) to offer my students a mentored residency working with students with disabilities. As I don’t have a background in special education, I decided to collaborate with a colleague from the University of the West Indies, music therapist Jean Raabe, to run an intensive workshop before the semester and join me in mentoring students on the project.

Bringing Jazz into the Mix in Orquestra Geração, Sistema Portugal

Eduardo Lála, Conductor of Orquestra Geração/GeraJazz, Sistema Portugal; Global Leaders Program alumnus

02-03-2021

The slogan of Orquestra Geração suggests something deeper than just playing music. The idea of touching lives (in Portuguese, “tocamos” means “we play/we touch”) asserts that we can positively transform the lives of children and young people through music, giving them a feeling of unlimited potential. What I didn’t know before teaching in this program was that the slogan would apply to me as well, and that my life would be so intensely touched and transformed.

Share

ABOUT US MASTHEAD THE AMBASSADORS THE ARCHIVES SUBSCRIBE CONTACT
© Copyright 2022 Ensemble News