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Creative Change Project Tackles Social Inequity through Music

06-21-2023

What is community music’s role in addressing social inequality? The Creative Change project is hoping to answer this question through a series of research-informed projects with Aboriginal communities across Australia.

The Ambassadors’ Exchange: In Our Own Voices

06-07-2023

To complement the “Ambassador (Re)Introductions” published in April, the cohort recorded video introductions for the month of June. Listen to the Ambassadors as they say hello in their native languages, from every corner of the globe.

Jameel Arts & Health Lab Launches Four International Research Studies

05-17-2023

The Jameel Arts & Health Lab—the brainchild of the World Health Organization (WHO), New York University’s Steinhardt School, the non-profit organization Culturunners, and philanthropic foundation Community Jameel—was launched earlier this year with an ambitious mission: to research how the arts can improve the health and wellbeing of individuals and communities in some of the most challenging places around the world.

The Ambassadors’ Exchange: May Happenings

05-03-2023

This month, the Ambassadors were asked to explore their daily lives in their programs. Our most recent entry explores ideas such as: 1) their daily routines outside of rehearsal; 2) what their rehearsal settings look and feel like; and 3) their relationships with their colleagues/instructors. We hope to share different slices of life from different corners of the world.

Ang Misyon’s Orchestra of the Filipino Youth

Jennifer Rivera, Partnerships and Communications Manager, Orchestra of the Filipino Youth

11-02-2022

When the world stopped in 2020, Ang Misyon’s Orchestra of the Filipino Youth (OFY) had to adapt its programming to a hybrid format. Under the guidance of Gerard Salonga, OFY’s Music Director since 2021, the curriculum was reprioritized to ensure that each scholar receives hands-on mentorship while continuing to develop a sense of community with their peers.

“Music For Every Child”: A New Initiative in Toyonaka, Japan

Yutaka Kikugawa, Founder/Director, El Sistema Japan

09-07-2022

In the Shonai district, an inner-city commercial area in the southern part of the city, population is half what it was in 1970; as families with small children moved out of the area, the number of children has decreased. A survey conducted by the Toyonaka City Council (TCC) showed that only about 40 percent of the younger generation (ages 18–39) in the Shonai area say they want to keep living in their community, while among all city residents in general, that number is 60 percent.

Agrigento: Advancing Music as Social Action 

Maria Lara, Founder and Trustee, Agrigento

05-04-2022

Music for social change is a field with enormous potential, yet one that has not been fully realized because of a central paradox: a common reliance on musical and educational practices that have little to do with social change.

Finding Harmony in Chennai and Delhi

Sambhavi Mathiyazhagan, NalandaWay Foundation, Chennai

03-02-2022

In India’s most disadvantaged communities, musicianship is not always encouraged. Domestic violence is not uncommon in some homes; in others, girls are not allowed to sing due to household chores. Some families simply don’t like their children singing. And yet many of these very same communities have produced the members of the NalandaWay Foundation’s Children’s Choir.

‘Controlled Chaos’: In Soma, New Techniques Produce Stronger Rehearsals

Sara Watanabe, Soma Program Coordinator

02-02-2022

When children do this for the first time, they often begin with uncertainty. But they quickly realize that they are hearing the music in a different way. They also come to understand that each of them has an important role to play in taking responsibility and shaping the music.

Korea’s Orchestra of Dream Celebrates Ten Years with “I Contact”

Yun Hye-bin, Community Education Team, KACES

01-05-2022

KACES wrestled with the best way to plan the celebration, an important milestone for us. Ironically, minimizing human contact became the primary mission for a concert designed to bring people together. We eventually came up with the idea of a contactless concert and began putting into action a plan unlike any we had tried before.

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