Self-Expression

The Power of Creative Work for Immigrants
Creative work makes a difference for all of us, but especially for immigrants.
From Program to Public Infrastructure: The Evolution of Dream Arts

Jeehye Suh, CEO, Inculture Consulting (Rep. of Korea); Adjunct Professor, Korea National University of Arts
When we first designed the Dream Orchestra in 2010, we saw “isolation” as one of the most urgent conditions in children’s lives. At the time, the intensity of college entrance competition had already reached elementary school, and many children were being pushed into highly competitive, lonely environments.
Fifteen years later, children’s lives have not become easier. They remain caught in the competitive trap of the education system while social and economic inequality continues to deepen their vulnerability. Declining physical and mental wellbeing, weakened community ties, and the replacement of direct relationships with media-based activities have also left them increasingly disconnected.
EDITORIAL
Youth Arts Embracing Creativity—and Conversation

Corey Depina, Program Director, Zumix
Young people have unprecedented access to media, which often leads to a reliance on popular opinions rather than the cultivation of their unique voices. I see this in the classroom when I ask students for their thoughts—they often hesitate, looking around for validation instead of trusting their instincts. This reluctance is disheartening. It highlights a pressing need within youth arts education: we must foster spaces for reflection and honest dialogue.

