Lebanon

New Fund Supports Arab Artist Mobility in Europe
Zad, a new funding initiative from the cultural organization Ettijahat, will support Arab artists in reaching new audiences across Europe.
Two International Grant Opportunities
We know how hard it is to obtain funding for the work you do, so we’re eager to share two grant opportunities that support community-building and international cultural-exchange initiatives.
Music, Theater, and Collaboration: Creating Common Languages for Joy

Lama Amine, Head of Arts, Seenaryo in Lebanon; performer, director, teacher, and activist
Seenaryo has been creating collaborative and imaginative community theater in Lebanon since 2015. We started working in Jordan in 2018, and we ran our first training in Palestine in 2022. While Seenaryo is first and foremost a theater organization, music has always played a big part in what we do.
Beirut Chants Turns to El Sistema

Richard Azoury, Finance Manager, Beirut Chants
It was not a promising time to be learning or teaching music in Lebanon. The Lebanese pound had depreciated by over 90%, making music lessons a luxury that few could afford. The National Conservatory of Music was mostly non-operational; schools had stopped music classes for lack of funding, and our country’s youth had no means to advance their musical education. In this challenging environment, Father Maatouk turned to the El Sistema model.
Art Heals: Arts as a basic need in humanitarian settings

Samar Bandak, Global Communications Manager, Community Arts Network
I have worked in the humanitarian sector for almost 15 years, in both Jordan and Lebanon, which have the highest refugees per capita in the world. In that time, I’ve learned thousands of life stories: of people who lost their homes, their possessions, and their established lives; of traumatized children and departed loved ones; of extreme health crises, both mental and physical. Yet, despite the hardships they reveal, these stories have always been more about bravery, strength, resilience, faith, and love.

