Jazz

Reaching Across Continents to Help Children Make Music

Jef Neve, Belgian classical and jazz pianist and composer
About 15 years ago, when I was on tour in Africa, I was lucky enough to meet the late Bob Collymore, Founder/CEO of Safaricom Kenya and one of the most inspiring people on the planet. I performed at the Safaricom headquarters for all the employees; Bob was immediately enthusiastic about bringing more jazz to Nairobi, and he decided to launch the Safaricom International Jazz Festival. He organized the festival setup, and I helped him with the programming.
A Project in Cyprus and Portugal Bridges Passion and Profession

Tasos Kyriakou, Music Teacher and Project Manager, Sistema Cyprus, and Margarida Abrantes, Coordinator, Orquestra Geração
What does it take to turn a young musician’s passion into a meaningful career? For Sistema Cyprus and Orquestra Geração, the answer lies in real, structured opportunity, tailored to young people who are too often overlooked by traditional systems.
Our two organizations have long collaborated on other successful European projects. Building on that experience, and seeing the similar challenges our students face, we teamed up once more to create the Erasmus+ project “InMus: From Youth to Professionalism.”
Maestro Dudamel Joins Father on New Album
Gustavo Dudamel isn’t the only master musician in his family. His dad, trombonist Oscar Dudamel, released a new album, Sueño Alcanzado (A Dream Accomplished) in May of this year, with original compositions that fuse the classic sounds of salsa with jazz and bolero influences.
The History of Latin Music at Carnegie Hall
Bringing Jazz into the Mix in Orquestra Geração, Sistema Portugal

Eduardo Lála, Conductor of Orquestra Geração/GeraJazz, Sistema Portugal; Global Leaders Program alumnus
The slogan of Orquestra Geração suggests something deeper than just playing music. The idea of touching lives (in Portuguese, “tocamos” means “we play/we touch”) asserts that we can positively transform the lives of children and young people through music, giving them a feeling of unlimited potential. What I didn’t know before teaching in this program was that the slogan would apply to me as well, and that my life would be so intensely touched and transformed.
Shaping Curricula to Overcome Resource Scarcity

Esteban Alvarez, Alumnus, Global Leaders Program; Steinway Artist
The first time I smelled tear gas, it was a January morning around 10:00 a.m. I was sitting in the car alongside Franco Toro Contreras, the Music Director at Enrique Soro Music School in Quilicura, Chile. Franco picked me up every morning from Monday through Friday at the “Zona Cero” in Santiago, ten miles from the school. Against a backdrop of political and economic upheaval, we drove every morning through the smell of tear gas that had been deployed against protesters the previous night. Despite this troubled socio-political situation—and the fact that I was teaching summer classes—I noticed that attendance never wavered throughout my time at the school.

