Composition

 
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Can Young Children Learn to Identify Harmonic Progressions by Ear? Yes, They Can!

Dr. Eric Rasmussen, Chair, Early Childhood Music Department at Peabody Conservatory; educator, author, and researcher

09-03-2025

Unfortunately, many music teachers rely on a notation-first approach, teaching students to read music symbols before they have a strong foundation in listening, singing, and rhythmic chanting. Because we jumped the notation hurdle, often relying on math and puzzle-solving skills in addition to our propensity for learning music, we sometimes assume (incorrectly) that most children will have the same capacities.

The principles of MLT guided my teaching at OrchKids (the El Sistema-inspired program in Baltimore, MD, USA), and the results were extraordinary.

Curation, Not Composition: Strategies for Healthy Collaboration in the Classroom

Mike Roberts, composer and sound artist specializing in electronic, choral, and community music; Founder/Head of the Electronic & Produced Music Department at the Guildhall School of Music and Drama, London, U.K.

05-01-2024

It was during a choir rehearsal, at age nine, that I decided to become a composer. Choir was an oasis of joy in an otherwise difficult school experience; I simply lived for each opportunity to sing. Since then, it’s been my joy to witness, time and time again, music’s transformative power in community—never more so than in communities of singers, and never more powerfully than when those singers are empowered to compose their own songs.

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