


featured article
In Gaza, Children Sing with Drones
Ahmed Abu Amsha, Founder, Gaza Birds Singing; musician, singer, composer, sound engineer, music teacher, and manager of music education programs in Gaza, as told to Ensemble editor Tricia Tunstall
In the beginning of the war on Gaza, I was displaced from my town of Beit Hanoun at 3 a.m. We were running, without shoes, without anything. We arrived in Jabalia, near Gaza City. I was not thinking about music; I was just running for a safe place.
Editorial
EDITORIAL
When an Instrument Case Means ‘Don’t Shoot’: Symbolic Recognition in Medellín
Nathaly Ossa Alzate, strategic arts management and social impact consultant

In Nancy Fraser’s framework, social justice requires both redistribution (economic resources) and recognition (cultural and symbolic status). Symbolic recognition is the validation of one’s identity, dignity, and self-worth within a broader socio-cultural context. And in 1990s Medellín—our time—young people faced material deprivation and severe symbolic misrecognition, viewed solely through the lens of urban violence, stigma, and invisibility.
EDITORIAL
EDITORIAL
A Question We Could Not Answer
Faly Ranaivoson, Founder, Choir Orchestra Loharano (COL)

One of our longest-standing members asked a question at a meeting this year that I still cannot answer well. He had rehearsed four or five pieces for our concert last December. On the afternoon itself, he participated in playing only one of them. He wanted to know how that had come about. He put his question to everyone in the room.




