


featured article
Big Noise and YOLA Share the Stage in Edinburgh
Vicky Williams, CEO, Big Noise / Sistema Scotland
After months of work behind the scenes and four days together in Dundee, Scotland, a 95-musician orchestra made up of Big Noise and YOLA musicians—plus 100 younger Big Noise members forming a choir—came together on stage at Edinburgh’s Usher Hall for the Festival’s Family Concert on August 16, 2026.
It was a beautiful moment. But even before they ever shared the stage, the young musicians from Scotland and Los Angeles had achieved something remarkable.
Editorial
EDITORIAL
To Conduct, We Must First Breathe
Ron Davis Alvarez, Founder, Dream Orchestra

I have traveled and taught in nearly 45 countries: at an orphanage in Greenland, in refugee camps, and alongside migrants and refugees who escaped war. I learned to teach when words were not enough, and to build community through music. Somewhere along the way, I forgot something essential: to support others, we also need support.
EDITORIAL
EDITORIAL
When an Instrument Case Means ‘Don’t Shoot’: Symbolic Recognition in Medellín
Nathaly Ossa Alzate, strategic arts management and social impact consultant

In Nancy Fraser’s framework, social justice requires both redistribution (economic resources) and recognition (cultural and symbolic status). Symbolic recognition is the validation of one’s identity, dignity, and self-worth within a broader socio-cultural context. And in 1990s Medellín—our time—young people faced material deprivation and severe symbolic misrecognition, viewed solely through the lens of urban violence, stigma, and invisibility.





